Images as a starting point for a spatial investigation. By placing them in an architectural context I want to find a way to invite the spectator to experience different readings by moving around the sculpture.  I use the word liminal as denoting a zone where you go from one psychological state to another, and an intermediate position where both coexist. Specifically, on the one hand, a condition characterized by routine rationality and efficiency on the other, a rarer condition to feel awake, open, participatory and vibrant.